Treehouse

online magazine for short, good writing

Category: News

This Week in Words – Mar 23

by Treehouse Editors

compiled by Rachel Bondurant

Acclaimed African writer Chinua Achebe died this week at the age of 82. Check out this interview about his life, education, writing, and love of stories in The Paris Review.

Brought to my attention by one of our esteemed editors Caleb Andrew Ward, there’s this charming (possibly NSFW, depending on where you work) piece about “10 Books that Taught [Joshua Chaplinsky] Everything [He] Know[s] about Sex,” – brackets included so there’s no confusion here about what books taught who now.

More on the VIDA front, Andrew Ervin for The Rumpus engages in some self-reflection as being – in his words – “part of the problem,” specifically about book reviews and books reviewed.

A fun experiment in The Review Review leads to commentary on slush piles and a good laugh to be had at the expense of The New Yorker (always a treat).

This week I’m suggesting you read “6.5” and “Dead of Winter” by Ian Murphy in A Clean, Well-Lighted Place: two stories that will hurt. Because sometimes good literature has nothing to do with sunshine and roses.

Announcing: The First Annual Treehouse Literary Loot Contest for Unusual Prose!

by Treehouse Editors

Deadline: April 30

To celebrate Treehouse’s first birthday—that’s right: we’re one!—we are holding our first ever contest.

But there will be no money involved in any part of this contest—no submission fee nor prize money.

“Then what’s the point?” you ask.

The point is, how about you shut your mouth and let me finish?

Thank you.

In lieu of prize money, we have assembled possibly the greatest literary grab bag since Flannery O’Connor stuffed a live peacock in a grocery sack with some early drafts of her stories and mailed it to Eudora Welty.

(Editor’s note: We have no evidence that proves this didn’t happen.)

The winning writer will not only be published in Treehouse, but will also receive:

The awesome lit journal package:

  1. A one-year subscription to Barrelhouse
  2. A one-year subscription to Booth
  3. A one-year subscription to Carolina Quarterly
  4. A one-year subscription to Ecotone
  5. Two latest issues from Gigantic
  6. A one-year subscription to Gulf Coast
  7. A one-year subscription to [PANK]
  8. A one-year subscription to REAL: Regarding Arts and Letters

The awesome indie publishing package:

  1. Two new fall titles from the new indie house everyone is buzzing about, A Strange Object—from the makers of American Short Fiction!
  2. Two new titles from Dzanc Books and a six-month subscription to the Dzanc e-book club.
  3. A copy of Michael Kimball Writes Your Life Story (on a postcard) and a copy of
    First Year [An MLP Anthology] from Mud Luscious Press

The super-happening fashion package: (in the size of your choice—extra small not available; eat something already)

  1. A t-shirt from A Strange Object
  2. A t-shirt from [PANK]

Our favorite non-winning contest entries will also be published in Treehouse. The rules:

  1. We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
  2. Entries are to be a maximum of 750 words.
  3. All entries must be emailed to treehouse.editors@gmail.com by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
  4. Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
  5. Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
  6. In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
  7. Former Treehouse contributors are invited to submit work.
  8. We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
  9. One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
  10. We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.

We’re very excited about this and looking forward to reading your work.

-The Editors

This Week in Words – Mar 16

by Treehouse Editors

compiled by Rachel Bondurant

AWP descended on Boston last weekend, and here Steve Almond offers some reflection for both the weary and the wide-eyed.

Coming out on the bright side of the VIDA count, Granta and Tin House tell Flavorwire how they do it. (Hint – it isn’t simply: “Publish more women.”)

A smattering of new words that may not be sweeping the nation (yet!) from Andrew Kaufman and The Guardian.

Jimmy Chen for HTMLGiant tackles James Franco, barely legal bikini-clad felons, and a little bit of art in this piece about upcoming film Spring Breakers.

Check out “How to Throw It All on the Table” by April Sopkin, originally published in Paper Nautilus’s 2011 issue, and now featured on their website.

And for no other reason than I think you should know it exists, I give you this.

This Week in Words – Mar 9

by Treehouse Editors

compiled by Rachel Bondurant

Fun with Charles Bukowski! To be fair, he’s not really there (of course); it’s a reading and a link to more Bukowski-related stuff. He’s recently become a favorite of mine, probably because I can understand his poetry (and also because there’s a dark humor to it). This is my favorite.

And the Pride and Prejudice news just keeps on coming. David O. Russell – the guy responsible for writing the screenplay for Silver Linings Playbook (which is awesome, by the way) – has adapted Pride and Prejudice and Zombies for the silver screen. It’s slow going, but with a screenplay and producers on board, it looks like this thing might actually make it.

I discovered this gem of British humor weirdness this week. The name of the endeavor alone – Pink Mist – makes me a bit uncomfortable, but I like it.

And I’m recommending you check out the latest issue from Up the Staircase, which you can do online. Spotlight on “More Cherries” by Bud Smith and “Backseat Blues” by Jules Archer (both fiction).

This Week in Words – Mar 2

by Treehouse Editors

compiled by Rachel Bondurant

Fifty previously unpublished poems by Rudyard Kipling will be released sometime this month after being discovered by Thomas Pinney. Fans of Kipling hope poems like “The Press” – included in the article – will draw the focus away from Kipling’s politics (he’s long been associated with favoring imperialism) and more toward the merit of his work.

Who doesn’t love a good place to read? Check out these thirty hot spots from Buzzfeed: everywhere from an abandoned Wal-Mart turned library to the Rare Book and Manuscript Library at Yale.

If you can’t get enough of your favorite classic characters, here’s a list of five books that serve as spin-offs, prequels, or some other kind of extension of classic novels. Follow Mr. March, military chaplain and father of Little Women heroines Beth and Jo March. Learn the story of Rochester’s first wife before she went mad in Wide Sargasso Sea.

You can never hear too many writing tips from the masters. I stumbled upon these seven from F. Scott Fitzgerald which inevitably led to these seven by Ernest Hemingway. Whose advice do you prefer?

Two fiction pieces for you to not miss this week:

Jane Liddle’s “The Correct Answers in the Heather Section of the SATs” is the latest from wigleaf. Telling a story through analogies. Not something you see every day. And not something anyone can pull off.

Sundog editor Justin Lawrence Daugherty (also the author of the always-worth-reading “Here, the Invisible Man…: Notes on a Letter Written in Invisible Ink”) has a wicked little piece in Necessary Fiction called “The Molting.” Justin, you had me at “slovenly.”

This Week in Words – Feb 23

by Treehouse Editors

compiled by Rachel Bondurant

Gulf Coast managing editor Karyna McGlynn lists her (fantastic) choices for the top sixteen “sexiest lit mag covers in the last six years.” Side note: this is not a bad source if you’re looking to pick up a new lit mag subscription.

Avi Steinberg writes about Louis C.K. in The New Yorker this week, comparing him to Gogol. Technically, this is a lit-related link; if nothing else, it’s writing-related, and why am I explaining my decision-making process? (Full disclosure: I’m mostly including this because my sister and I love Louis C.K. and think you should too. So there’s the truth.)

This mini-interview in Book Riot led to my favorite recent discovery: Paperless Posts. Apparently, this mostly online correspondence company draws inspiration from their literary background when drafting the sample print for their invitations and cards. An invitation to the Kennedy family’s Easter party at the White House in 1961, for example. A Mother’s Day card from Sigmund Freud. You get the idea.

And if you need a fiction fix until our next piece publishes on Monday, check out “All She Had” by Jessica Richardson in Hobart Pulp. A story about a girl and her grandfathers.

This Week in Words – Feb 16

by Treehouse Editors

compiled by Rachel Bondurant

The Millions resumes their practice of judging books by their covers this week, comparing U.S. and U.K. cover art for the books in the Morning News Tournament of Books.

Flavorwire’s got a list of 17 essays by women that are must-reads, thanks to Creative Nonfiction and the VIDA Count. (Incidentally, CNF published an interview/conversation between Elissa Bassist and Cheryl Strayed about writing “like a motherfucker.” It’s also worth reading.)

In the realm of fiction and poetry, these pieces caught my eye this week:

Kate Wheeler’s “Girltown” in Electric Lit’s Recommended Reading is a story in which, oddly refreshingly, “nothing happens.”

In [PANK], Rae Gouirand’s poem “In Lieu of Questions” caught me for the pieces: “this suspension we call late,” “between our two houses,” “let me strip you of name and skin like this.”

And Brenda Ordonez’s fiction piece “Ghosts” in matchbook has its roots in the very real element of alienation.

Follow

Get every new post delivered to your Inbox.

Join 103 other followers